Speaker Credits

“Of Herself Alone Both Muse and Subject”: the Women of the Boncompagni Ludovisi and the Arts

Rethinking Sofonisba Anguissola: Historiography and the Problem of Interpreting Women Artist

Reading Elisabetta Sirani’s Eurydice and Orpheus in the Underworld as Theory. Framing Women’s Visual Knowledge in Seventeenth-Century Bologna : Methodological Challenges.

‘Ugly but Gifted’: Giulia Lama and the Gendered Politics of Appearance

The Nota delle pitture fatte da me Elisabetta Sirani. An early modern woman artist's work register as a methodological research tool

Between the Canon and the Archive: Art Education and Female Agency in Early Modern Bologna.

The “Centro di documentazione sulla storia delle donne artiste” of Bologna: an art-historical methodological approach

Virginia da Vezzo: a methodological connoisseurship

A changing landscape: women artists, institutions and education in Nineteenth Century Turin

From Mothers to Professional Artists: The Case of the Scuola delle Donne within the Royal Academies of Fine Arts in Italy (1842-1902)

A Workshop for Women: Maddalena Costantini and Women’s Professional Education in Post-Unification Rome

Women Artists’ Debates in the “Women in Professions” Section at the 1899 International Congress of Women in London